Art of the Game: Strategy, Storytelling, and Something Deeper
Some projects check all the boxes.
Others change how you think about the boxes in the first place.
Art of the Game was one of those projects.
It started with a spark—an early vision from Owen Braley, project director and founder of Denver-based video production agency, Prophecy.
Owen's creative instincts are some of the sharpest I’ve encountered. He had a concept that was both cinematic and grounded: a fusion of sport and art, framed through storytelling, movement, and visuals more electric than the best highlight reels.
Owen invited me in to help shape both the vision and the strategy—not just the creative arc, but also how the project could be positioned for real-world impact. Through Tewdilly, I focused on making sure the story would resonate emotionally and be structured in a way that could open doors—whether through brand partnerships, client relationships, or future campaigns.
From our first conversation, we aligned on this: we weren’t just here to make something look cool. We were here to make something mean something—and to build it with intention for what could come next.
I was excited to support Owen’s vision and help stretch it—creatively and strategically—so the project could have the strongest possible impact. When there's that kind of trust and shared focus, things tend to build in the right direction.
The Crew Makes the Concept
From pre-pro to final shot, this was one of the most locked-in teams I’ve ever collaborated with. Owen assembled a crew of true professionals who didn’t just bring technical excellence—they brought care.
Every moment was intentional.
Every camera move had purpose.
Every frame was a brushstroke in the larger story we were telling.
And none of that would’ve worked without the trust and presence of the people in front of the camera.
The People Who Brought It to Life
Brooklynn Charlo was at the center of this story—a rising athlete with poise, power, and presence. She brought every bit of that to the screen, while also staying grounded, funny, and gracious across long, demanding shoot days.
Her agent Sean Huynh and her parents, Alisha and Mo Charlo, were equally invested and collaborative. That kind of trust doesn’t just make things easier—it makes them better. It allows for creative risks, real moments, and a shoot that runs on momentum instead of tension.
And then there’s Gus Rey, a Denver-based artist who didn’t just show up—he brought the soul of the project with him. Watching him paint live on set, with precision and emotion, added a new layer to the narrative. He was a character, a contributor, and a collaborator all in one.
Not Just a Production—A Prototype
What we created with Art of the Game wasn’t just a polished piece of branded content. It was a prototype for something bigger—a model for what’s possible when:
Strategy is treated with the same care as visuals
Creative ideas are backed by thoughtful storytelling
Everyone involved is aligned around purpose, not just product
This project was momentum in motion.
And I believe it’s just the beginning.
What Comes Next
At Tewdilly, we’re not chasing trends. We’re chasing meaning.
We want to help people and brands create things that matter—that reflect who they are and what they’re here to say.
Art of the Game is a great example of what can happen when you pair intention with execution. When you care about the why as much as the what. And when you surround yourself with people who show up the same way.
We’re proud to have played a role. And we’re even more excited for what’s next.
#ArtOfTheGame #TewdillyInTheMix
